[click images for larger view]
"House with Crest"
The holes are lined up on a cross shape. The hole is made on the architecture like the perforated line. This architecture is "House with Crest". A light that penetrates into the architecture always moves and never stays. It is a symbolic spectacle. A light that goes through the hole is projected in a circle shape, moves unlimitedly, and never stays. Occasionally, it disappears, and it appears.
Here for this week’s edition of ‘Ninja Homes’ we have the MON Factory/House 8 in Kyoto, Japan designed by EASTERN design. Completed in 2007, the 260 m2 project houses both a workshop of a traditional craftsman and his family home.
The owner wanted a home that could accommodate his business - creating crests for traditional Japanese clothing - while keeping the living and work spaces distinct and separate. EASTERN’s solution was to raise the majority of the project off of street level, creating a parking area beneath the main structure of the building, with a storefront for the craftsman’s business on the street. The workspace is then directly above the shop, connecting the two spaces while making the actual workshop more private.
The second level - with the workshop and living spaces - is divided by two courtyards into it’s primary parts, namely the workshop, the living room / kitchen area, and the bedroom, by two small courtyard spaces. Essentially, hallways run along both sides of the house [around these courtyards, which don’t reach the perimeter of the building], connecting the various spaces. Get a better look at the plan in larger detail, here.
We "lift the one-storied house to the sky" to create calm interior space. It is lifted to 3m in the sky. The space under that is lent as a parking lot. The one-storied house lifted to the sky makes "two outside spaces placed among three inside spaces". The wind and the light of nature gather from the sky into two outside void spaces. And that extends to three inside spaces.
The only break in the exterior concrete walls of the building come in the form of a series of circular ‘holes’ - which speak directly to the circular shape of the tradition crests being made in the workshop.
Two street side walls overlap on "Mise (show/shop)" space from right and left as like the breast of the Kimono. The "breast" interior becomes the shop space. The circular holes made for a cross shape becomes a pattern that decorates the wall as a crest. The kinds of crests reaches 7000. Any complicated crest pattern is formed from circle.
The workshop area and the living area are separated and also connected. The client and his daughter have such living style. The crest making is a delicate work and also a business work. It is quiet, and also busy. The drifting cloud is seen, and they finish working, and relax in the living room at the middle space.
The reflected light becomes an infinite line of light and extends into the darkness of twilight on both side window of the living room. And the dark becomes deeper. In this one-storied house lifted to the sky a night goes on like that.
::photographs by Kouichi Torimura::
I’ve had this project sitting here as a draft post for a few weeks now [titled ‘silly sick concrete house’]. I first came across the house, ‘Maison du Beton‘ [‘House of Concrete’] by Atelier st, over at Arch Daily about a month or so ago and knew it had to find its way to AMNP.
Located within a ‘typical’ residential community in Cainsdorf, Germany, the house picks up the scale of the local homes - and then breaks with tradition. The angular geometries of the project are accentuated by the use cast-in-place concrete as a building material - creating simple, almost monolithic, facades that stand in stark contrast to the building’s surroundings.
The interior of the home then breaks further away from local norms - where large, open spaces have been created within the concrete shell. Additionally, the designers played with the heights of spaces on the interior, creating double-height spaces that do not necessarily correspond to the treatment of the exterior - so that the house doesn’t "give it all away" from the outside.
Sweden-based Kjellgren Kaminsky Architects, in conjunction with Emrahus, has created a housing model that will potentially met the needs of expanding family needs - using a type of modular housing system that would allow for personal customization and additions to an initial structure.
[Image: Plan of home for individual]
All units start based on the needs of an individual - so they are inherently smaller than a typical home, while meeting the various needs of different people [studies, offices, larger living space, etc]. The project would allow for customization of the unit to meet a buyer’s lifestyle, along with being an appropriate size for a single individual.
[Image: Plan of expanded home, now for a family]
As the need of the individual then change, the home can be adapted. A woman owning one of these homes may get married, and her and her spouse could then chose to expand. Times goes on, and they may have children - and choose to expand again, further personalizing the home to fit their specific needs [note: the plan shown is an example, and different variations would obviously be available - see video].
[Image: Potential aerial of a community of these dwellings]
While the simple concept of adding an addition isn’t that spectacular [you can obviously ad to any structure you may own, in some way] - the idea of designing with that expansion in mind could drastically change housing typology. Imagine a young person being able to afford a home, because she / he could buy smaller and expand later. You could afford an apartment-sized home to start with, and slowly move on from there, customizing your space to fit your specific needs - could be siiick.
What could be even better, that is not a part of this project [yet?], is adding a degree of mobility to these homes. Creating a highly-customizable home that is easily transported and replanted in a new community could address both issues of affordable homes [only buy/build what you can afford], but could also help homeowners adapt to changing economic trends [both global and personal]. Maybe you’re not making tons of money - but you save enough to buy one of these starter units and a small property in a ‘questionable’ neighborhood. That’s great when you’re young with no children - but maybe something like this gives you the opportunity to take you customized home and move to a better location [with better schools, for instance] to raise your kids, then move again to someplace warm when you retire. Just a thought…
::All info and images courtesy of Joakim Kaminsky::
.:view more of ourNinja Homes feature,here->
Here we have the L House by the Polish firm moomoo architects -proposed for a site in ??d?, Poland. The home - which is another in this popular simplified gable form, which looks like a child drew the end elevation in an art class - is set to be completed in 2010. This simplified massing is based on a traditional Polish home, both in the simple elevation and in the way that the roof slopes upward from one side of the structure to the other.
To achieve the clean + continuous form of the home, moomoo is using a plastic insulating material named Thermopian - which is usually reserved for roofs. This both creates these smooth, unbroken wall/roof surfaces, and allows the home to be built in just about any color the designers choose.
The plan is simple and efficient, making for a modestly sized home - the only detail in plan that is really worth pointing out specifically is that wall splitting off at an angle from the main volume of the house. Apparently local building codes require that the building’s facade be parallel to the site boundary - and this is the architects’ way of meeting this local requirement while having the house oriented in the direction they would prefer. It does make for an interesting window looking at what seems to be an essentially unusable space, perhaps protecting the inhabitants’ privacy from the street.
.:view more of our Ninja Homes feature, here->
Our Furniture Expansion System for Small Apartments in Big Cities, is designed for such lifestyles of minimal materiality even if it is lopsided since these types tend to accumulate large book or shoe collections, vices that one day suddenly surprise with unexpected demands for additional room.
The project, designed for people OBRA deems ‘urban nomads’, is meant to address the needs of urbanites with small apartments who "fancy perpetual pedestrian investigations and as little time spent at home as
possible". OBRA proposes that their system serves the function of providing simple space definition, storage, and the ability to travel with these nomadic city dwellers as they move over time.
The system is made up of hollow wood panels and cabinets - constructed offsite with CNC milled 1/2″ ash plywood - which are a maximum of 2×8 feet to ensure that the system can be transported through standard doorways, hallways, and elevator cabs. The system can be assembled vertically or horizontally - giving the ability to create partitions in a space, and/or create loft floors in space with adequate height - and has the potential for "endless reconfiguration" due to its modular nature.
In today’s urban housing market mostly universally characterized by unimaginative and ill-conceived spaces dressed-up as luxurious by the inclusion of a few expensive materials, URBIA proposes a luxury of conception implicit in the harmony of its modular coordination. The proposed system is open-ended in nature, allowing for site modifications and the addition of custom elements that can give specificity to the whole, but it also provides, unlike traditional sheet-rock based interior construction, a built-in rhythm of articulation based on a Fibonacci series that makes proportional mistakes difficult and beauty almost automatic.
A very interesting concept, it reminds me a lot of the work of Dan Hisel, AMNP featured Ninja of the Month - in particular, his ‘Z-Box’ projects [1 & 2]. The idea to transform rented or temporary living space with a modular, portable, reconfigurable, inhabitable furniture system is incredible - and I especially like the uniform material, which allows personal possessions and furniture to accentuate the spaces. It would be particularly interesting if you didn’t have to pack up your posessions when you moved - if the system was really potable storage, that was arranged into an inhabitable system. Get a new place? Just close up the cabinets and shelves still filled with your stuff [maybe bubble-wrap fragile objects, but thats it] and be on your way. Not sure that that is feasible, really - but it’d be pretty dope.
[Image: wire-frame drawing of assembly system]
::See more photos - and the ones featured here, but in larger format - here, at AMNP’s Flickr page::
::all images, info + quoted text courtesy of OBRA Architects::
.:view more of our Ninja Homes feature, here->
Designed by ADOC [Arquitectura Design Ordenamento Consultores], what we’ve got here today is a proposal for university housing in Zaragoza, Spain. Say it with me now: my ninjas, please… Now, I warned readers in my post on KKA’s fishmarket project that I had a collection of projects that utilize the iconic gable-roofed home shape - and this university housing project is definitely the most extreme / strangest use of the form I’ve come across so far.
The project starts out with a simplistic, minimalist take on the gabled roof house form, creating a single volume to house the university students in an individual module. This module is then multiplied, stacked and arrayed - creating 5 storey housing blocks, seemingly connected by the long central hallways familiar to a typical apartment building.
ADOC likens each floor to a street - individual homes, connected by a shared pathway. We can see this idea in the section best - where the drawing shows not just a narrow hallway, but what looks like a small, two-storey, space that connects the individual volumes to the shared path. Now, I have no idea how big this space is - but it looks to be at least the width of the hallway itself.
That said, if the ‘outdoor’ space is also as long as the individual volume itself and double-height - does this create a useable, individual, ‘outdoor’ emulating space within the structure created by the amalgamation of these individual ‘houses’? It’s definitely a fascinating idea - combining forms we associated with the things we like about single-family homes to create structures that use the land more efficiently, and achieve a higher density without depriving residents of a sense of individual, private space.
Assuming any of this is the case, I think we need to imagine this type of project post-occupancy -where I would expect to find that residents had really taken ownership of their personal volume. Painting, personalizing, decorating, planting - I wonder if you could really achieve the diversity found on an actual street in a project such as this one. I would argue that it may even have to capacity to exceed the individuality found on many streets - as so much single-family residential construction looks so so similar, and the simple fact that single-family homes having clear owners/residents and addresses/land seems to reduce the occupants’ desire to personalize the exterior of the building in additional ways.
Thanks to our ninja Manuel for the link - don’t hesitate to hit me up if you come across something that you think ninjas should know about. Email me at firstname.lastname@example.org - or drop me a DM on Twitter @ArchitectureMNP.
This project was also covered a while back by our ninjas over at plusmood, which you can read here.
.:view more of our Ninja Homes feature, here->
In a dream last night, I saw a great storm. It seized the scaffolding. It tore the cross-clasps, the iron ones, down. But what was made of wood, swayed and remained.
~ Bertolt Brecht, inspiration for the Chen House
Designed by Casagrande Laboratory, of Finland, the Chen House was built on the site of an old Japanese cherry farm in the Datun mountains, North Taiwan. Built of mahogany [with concrete footings], the house was designed as a direct response to the extreme weather sometimes seen in the mountains - including severe heat in the summer, strong winds, and seasonal flooding.
With these local environmental elements in mind, the house has been raised above the ground plain to avoid the flood waters, and is incredibly porous [as you can see in the photos] - allowing a breeze coming across a local river to cool the structure. The house also attempts to protect itself from typhoons and earthquakes by using the smaller kitchen/bath volume as a ‘kicker’ to stabilize the structure.
The house is not strong or heavy ? it is weak and flexible. It is also not closing the environment out, but designed to give the farmers a needed shelter.
Ruin is when man-made has become part of nature. With this house we were looking forward to design a ruin.
It’s barely noticeable in these stunning photos, but the actual ‘interior’ of the house is enclosed with glass walls on either end - although I’m not sure how the walls themselves are weatherized [check out the elevation photo, above, and the plan, below]. Even on the ‘interior’, they still appear ‘open’ - with spaces between the boards, allowing the light to stream through. To make up for this space being enclosed, a series of small operable windows are placed along the floor - along with the nana-like wall on the opposite side of the room - to allow for that breeze to enter during the summer.
What a ridiculously sick project.
::more images + info available at chenhouse01.blogspot.com::
::info, images + any quoted text provided by Casagrande Laboratory::
.:view more of our Ninja Homes feature, here->
The typical architecture-school final thesis project tends to start as a theoretical written document, laying out a students individual thoughts and concepts on a particular architectural topic - which then evolves into a ‘paper architecture’ project, designed by the student and explained in drawings, diagrams, models, and maybe some animations.
Quad Space - the M-Arch thesis project of University at Buffalo students Michael-John Bailie, Paul Dudowski, Ernest Ng H.H., and Dan Stripp - is, as you can see, no ‘typical’ thesis project. Rather than leave the project on paper, the four students decided to test their ideas in the real world - through a fairly drastic/awesome renovation of a 400 SF 1850’s Buffalo home. From the team:
Quad Space is an insertion of an architectural academic exercise as a full-scale constructed exploration to spatially and structurally manipulate and define the division of four spaces within a 400 sqf house.
Project background, via Quad Space:
This thesis re-evaluates the operations of architectural exercises within the academia and its role and relationship with the social, communal and economic environment that it is based in. This thesis project will critically investigates the process of establishing an academic architectural research project as a full scale construction insertion in the city of Buffalo, through the physical manipulation and conversion of a derelict house into a habitable space.
This collaborative thesis project is strengthened and necessitated by the nature, scale and logistics of a full scale architectural construction exercise involving coordination, compromises and negotiations by four individuals, while also being challenged and contorted by the conventions of the academia and its definition of a thesis work as a purely individual exercise.
This thesis project operates within the space of two current economic situations: the first being the stagnant and derelict economic landscape of Buffalos domestic environment in which the insertion of this academic project, self-motivated and independently funded by architectural students/ designers/ builders/ owners creates a sense of iconography and raise awareness for innovative attitudes towards the re-considering the banal within such an urban landscape.
The second being that of the typical American view of domesticity, which the thesis acknowledges and provokes by challenging the perception of conventionally extensive spatial needs within the ideal American home and domestic landscape, by re-defining and re-interpreting conventional building codes requirements for minimal living.
The 4 students bought the existing structure for $6,500 at auction, and subsequently gutted the building and tore down an addition to prep for their project. The total cost of the renovation/redesign is estimated at $32,000 - with donations from a number of local construction-related companies.
From a programmatic standpoint, the project takes the existing 400 SF home and inserts 4 volumes [seen in diagram above] into the space - creating 4 private living spaces. Each of these inserted volumes pushes through the existing home, becoming visible on the exterior as a uniquely defined space. The interstitial space remaining between these insertions will then function as communal space, such as kitchen, bath, and living room. Check the Quad Space blog for some great photos of the process of cutting the existing facades and roof, then sliding the newly created volumes through from the inside - pretty sick.
Now, I know what you’re thinking - you want to see the finished product. AMNP has already arranged to stay in contact with one of the team members, and I look forward to bringing readers images of the completed project when the team wraps everything up - possibly with some of their thoughts on the process of collaborating on a thesis, actually building an academic project like this, and reactions to the completed structure. For those of you in NYC, the project will also be exhibited in September [images, obviously] as part of "Arch Schools: Visions of the Future", an annual exhibition at the Center for Architecture.
Head over to the Quad Space blog for more images and information on the project, and process photos documenting the construction.
::info, images and quoted text courtesy of the Quad Space team::
.:view more of our Ninja Homes feature, here->
[Image: South Facade]
Located in a "not particularly pleasant" housing development in L’ametlla del Vallas, Barcelona, H Arquitectes House 89 is a simple concrete structure that sits just below street level. Similar to many projects by H Arquitectes, the site’s slope helped to define the final design - which essentially faces the street with little more than a concrete wall, a small courtyard space, and the house’s roof.
The house draws attention from the street. Blind walls of concrete in situ blend in with the covering which becomes the facade. On the grey volume, the steel chimneys, the two skylights and a tree grove garden balance the composition and enrich the sensation of movement. The patio separates and connects the house with the street; it also provides light and ventilation.
[Image: North Facade]
The home then opens up on the Southern side - which is both more private [as it is shielded from the street], and has views down the hillside. This Southern exposure also allows for passive solar heating, using the concrete floor as a thermal mass.
The house is oriented north-south to obtain good sun exposure and efficient cross ventilation. On the southern facade, a 1.5m eave guarantees solar protection in the summer and captures solar radiation in the winter. The house has natural light in all of the rooms, including the interior bathrooms. The concrete on the facade and its graveled covering provides the building with good thermal inertia, absolutely necessary in our latitude [see section below].
[Image: North Facade]
The building’s footprint is a direct response to the existing site conditions - utilizing setbacks from the property lines and responses to conditions such as existing sewer location to form the overall shape of the plan.
[Image: Northern courtyard, looking into building]
The building limits, 3m to the neighbors and 6m to the street, formed the shape. We cut the edges more sharply to make an access for the car. The same sloped access ramp defined the ground level of the house. Towards the south, where we didn’t need more meters, the house finishes and the garden starts. The interior faces the garden, and through the garden, the southern valley, the sky. During the construction process a public sewer became visible right under where the northern facade had to go. This forced us to deform the house by stretching it, which was approved by city hall. The edges sharpened.
[Image: Diagram illustrating transformation of plan]
Personally, I’m just a sucker for nicely-done concrete with wood accents - but in addition to that, the fact that the project so noticeably makes damn-near no attempt to address the street in anything resembling a ‘traditional’ or ‘formal’ way is impressive.
::see more work by H Arquitectes at AMNP’s Ninjas of the Month feature::
.:view more of our Ninja Homes features, here->