Archive for the ‘Helen Frankenthaler’ tag

CIA Promoted American Modern Art

If buy free spiriva no prescription dosage you have insurance, your insurance company may require prior authorization purchase viagra best price professional before it covers ezetimibe. Because Sprite has a mild, sweet cheapest estradiol valerate flavor, it may be more appealing than other drinks, especially buy clindamycin generic for children. According to a recent study, lower doses of buy toradol without prescription CBD may have a stimulating effect, while higher doses may zofran have a sedative effect. According to research, laparoscopic cholecystectomy is order cheap tizanidine sale dosage the gold standard treatment for gallstones that cause symptoms. Before toradol prescription diagnosing bipolar disorder, a doctor may want to rule out petcam (metacam) oral suspension sale any other potential causes of mood changes, such as thyroid xalatan sale free pharmacy conditions or medications. With appropriate treatment and rehabilitation, most people where to buy asacol experience a reduction in knee pain and an improvement in buy cheap compazine online overall function. However, this article should not be used as discount flovent without prescription a substitute for the knowledge and expertise of a licensed purchase cheap griseofulvin without prescription india healthcare professional. The absence of warnings or other information for a.

Some people (continue to) call it revisionist history, but in 1995 some ofA the people involved in the CIA’s campaign to finance and promote American Modern Art during the Cold War began to come forward.A The article quoted below is one of the first examples of this chain of disclosures.A I personally have never been a huge fan of the style of American Abstract Expressionism, but there are certainly pieces that have a huge, even subconscious cultural effect on even me, a hater.A Ninjas beware: The CIA might be promoting our ish… just sayin’…

The US government now faced a dilemma. This philistinism, combined with Joseph McCarthy’s hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy. It also prevented the US government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s. To resolve this dilemma, the CIA was brought in.

The connection is not quite as odd as it might appear. At this time the new agency, staffed mainly by Yale and Harvard graduates, many of whom collected art and wrote novels in their spare time, was a haven of liberalism when compared with a political world dominated by McCarthy or with J Edgar Hoover’s FBI. If any official institution was in a position to celebrate the collection of Leninists, Trotskyites and heavy drinkers that made up the New York School, it was the CIA.

Until now there has been no first-hand evidence to prove that this connection was made, but for the first time a former case officer, Donald Jameson, has broken the silence. Yes, he says, the agency saw Abstract Expressionism as an opportunity, and yes, it ran with it.

"Regarding Abstract Expressionism, I’d love to be able to say that the CIA invented it just to see what happens in New York and downtown SoHo tomorrow!" he joked. "But I think that what we did really was to recognise the difference. It was recognised that Abstract Expression- ism was the kind of art that made Socialist Realism look even more stylised and more rigid and confined than it was. And that relationship was exploited in some of the exhibitions.

"In a way our understanding was helped because Moscow in those days was very vicious in its denunciation of any kind of non-conformity to its own very rigid patterns. And so one could quite adequately and accurately reason that anything they criticised that much and that heavy- handedly was worth support one way or another."

To pursue its underground interest in America’s lefty avant-garde, the CIA had to be sure its patronage could not be discovered. "Matters of this sort could only have been done at two or three removes," Mr Jameson explained, "so that there wouldn’t be any question of having to clear Jackson Pollock, for example, or do anything that would involve these people in the organisation. And it couldn’t have been any closer, because most of them were people who had very little respect for the government
, in particular, and certainly none for the CIA. If you had to use people who considered themselves one way or another to be closer to Moscow than to Washington, well, so much the better perhaps." (Source)

email

Post to Twitter Post to Facebook

Posted: December 7th, 2010
at 9:12am by Black Ock

Tagged with , , ,


Categories: art,politricks,weaponry,fo' real?,primary sources,ninjas are everyehere,americana

Comments: No comments