Archive for the ‘abstract expressionism’ tag

CIA Promoted American Modern Art

BMD discount 60 side effects usa tests use a T-score to report the test results by erythromycin overnight shipping comparing the person's bone mass with the bone mass of discount nexium a typical young adult. However, this article should not be cheapest generic viagra online used as a substitute for the knowledge and expertise of amikacin sale a licensed healthcare professional. You should always consult your doctor cheap asacol or another healthcare professional before taking any medication. Most people buy cheap gentamicin eye drops online require the ongoing support of a cardiologist and some may discount viagra no rx need to take heart medication for the rest of their buy cheap compazine online lives. It is also important to take all medications as buy viagra online cheap the doctor prescribes and keep regular checkups with the doctor. lumigan The doctor may advise them to stop taking these medications buy triamterene side effects work for a week or so prior to their injection. If purchase atenolol online it is unclear which type of eczema a person has, buy dexamethasone cheapest alternatives india they may perform a skin biopsy, which involves taking a celexa prescription small skin sample to examine it. Doctors tailor treatment to an.

Some people (continue to) call it revisionist history, but in 1995 some ofA the people involved in the CIA’s campaign to finance and promote American Modern Art during the Cold War began to come forward.A The article quoted below is one of the first examples of this chain of disclosures.A I personally have never been a huge fan of the style of American Abstract Expressionism, but there are certainly pieces that have a huge, even subconscious cultural effect on even me, a hater.A Ninjas beware: The CIA might be promoting our ish… just sayin’…

The US government now faced a dilemma. This philistinism, combined with Joseph McCarthy’s hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy. It also prevented the US government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s. To resolve this dilemma, the CIA was brought in.

The connection is not quite as odd as it might appear. At this time the new agency, staffed mainly by Yale and Harvard graduates, many of whom collected art and wrote novels in their spare time, was a haven of liberalism when compared with a political world dominated by McCarthy or with J Edgar Hoover’s FBI. If any official institution was in a position to celebrate the collection of Leninists, Trotskyites and heavy drinkers that made up the New York School, it was the CIA.

Until now there has been no first-hand evidence to prove that this connection was made, but for the first time a former case officer, Donald Jameson, has broken the silence. Yes, he says, the agency saw Abstract Expressionism as an opportunity, and yes, it ran with it.

"Regarding Abstract Expressionism, I’d love to be able to say that the CIA invented it just to see what happens in New York and downtown SoHo tomorrow!" he joked. "But I think that what we did really was to recognise the difference. It was recognised that Abstract Expression- ism was the kind of art that made Socialist Realism look even more stylised and more rigid and confined than it was. And that relationship was exploited in some of the exhibitions.

"In a way our understanding was helped because Moscow in those days was very vicious in its denunciation of any kind of non-conformity to its own very rigid patterns. And so one could quite adequately and accurately reason that anything they criticised that much and that heavy- handedly was worth support one way or another."

To pursue its underground interest in America’s lefty avant-garde, the CIA had to be sure its patronage could not be discovered. "Matters of this sort could only have been done at two or three removes," Mr Jameson explained, "so that there wouldn’t be any question of having to clear Jackson Pollock, for example, or do anything that would involve these people in the organisation. And it couldn’t have been any closer, because most of them were people who had very little respect for the government
, in particular, and certainly none for the CIA. If you had to use people who considered themselves one way or another to be closer to Moscow than to Washington, well, so much the better perhaps." (Source)

email

Post to Twitter Post to Facebook

Posted: December 7th, 2010
at 9:12am by Black Ock

Tagged with , , ,


Categories: art,politricks,weaponry,fo' real?,primary sources,ninjas are everyehere,americana

Comments: No comments