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Affleck’s movie feels more grounded in the specific geography of Boston than any other major Hollywood production ever has. And more populated by real Bostonians. But in striving to capture Boston in all its sordid glory, Affleck overapplies the grit. The problem struck me in an early scene in which the camera lingers on a gaggle of daytime boozers, and I swear, more than one of them has a cleft palate. In an effort to cast aside the Hollywood airbrush, Affleck has zoomed in on the freakish underbelly of Boston and somewhat overstated the case. The result is not so much what Mean Streets did for New York as what Deliverance did for Appalachia. [via]

a review of gone baby, gone by Patrick Radden Keefe

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Posted: October 23rd, 2007
at 12:22am by Black Ock


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